- Patented Direct Servo technology
- GR Research 12″ paper high excursion driver
- Solid and very inert enclosure available in a range of finishing options
- Bass extension controls allowing adjustment of bass extension and excursion control
- Selectable 12/24 db/octave crossover filter slope
- Balanced XLR connections for professional use (XLR version option)
- Parametric EQ
All our subwoofers feature our Direct Servo technology, which is our secret to achieving tight and accurate bass. The benefits are far more than simply achieving low distortion.
- Light weight paper cone with foam surround for superior dynamics
- Low moving mass to ensure an exceptional transient response
- High flux density in the gap to ensure low distortion
- Extended upper bandwidth response allowing a higher crossover point than most
We use high quality high excursion drivers which make it possible to achieve high output in a relatively compact enclosure. Only with Direct Servo is it possible to achieve such deep bass extension, high output and very high damping simultaneously. The effective system Q is 0.3. A lower Q factor represents a higher level of damping, indicating control of the cone. A typical subwoofer has a Q of 0.707 and some achieve a Q as low as 0.5. The penalty is that the box is larger and the output is lower in order to achieve lower Q, but Direct Servo can achieve much lower Q without sacrificing output and making the box bigger.
When more output than one subwoofers can provide is desired, it may be tempting to look for a higher output option. Our subwoofers represent what we consider to be the output limit for an affordable and accurate subwoofer. It’s possible to get higher output with one subwoofer, but not without significant compromise and additional cost. We suggest multiple subwoofers as a much better option. A side benefit is that this can also improve the integration with the acoustics of each particular room.
The bass extension controls allow the user to customize the deep bass extension and the rumble filter to control cone excursion. For high SPL, one can set a higher cut off. For music one may prefer a lower cut off. Changing the settings can also result in a better integration with the acoustic gain of the room.